It is always so inspiring when I get to step out of the studio and work in the field with sketchbook in hand. My most recent painting trip was in France.
My goal was to gather ideas for a book I am just starting that is set in France, but even more importantly, to take some time away from the intense studio work and create an atmosphere of creative play and exploration. I want to see and record as much as I can when I am working in a sketchbook. But I also want to stretch myself as an artist, try new methods, experiment with new surfaces, tackle paintings I would never do in the studio, basically just climb out on a limb and PAINT. On this trip I painted in gardens and on street corners, I painted rooftops and sculptures, I even painted self portraits of myself because I wanted to record how happy I was while exploring. I worked in ink and watercolor, fountain pen and pencil. I had fun collecting bags from Paris shops and experimented with watercolor on toned surfaces. The warm brown paper bags made a wonderful surface to bounce the blue skies and dazzling light of Paris. Sketch trips are always a wonderful time to really push yourself to see new things and play with ideas on how to capture them in paint. I always feel thankful after painting trips and even a little reluctant to give up the freedom I find in the field as apposed to the studio. But journeys with sketchbooks always recharge me and fuel my ideas for stories. They make the work I create in the studio all the more meaningful because the work was started during such joyful adventures.
Here are a few of the sketches from this last trip.
Degas bather, Musee d'Orsay